Well, I've kept thinking about my somewhat arsh souding answer, and suddenly I remember how my first Johnson make me travel... long ago...
I think every resonator guitar carries something very evocative and inspiring, and I bet some of the magic sparks from the Dopyera Brothers are still there.
Once the first strum and you can hear a train whistle blowing and you feel like sitting somewhere in the Delta dust.
No matter the price, when you hear that powerfull sound under your hands, your mind flies away.
I understand your wish to compare with an historic model, and I found four technical details to help you to drive your research:
Body made of brass = "Style 0"
Rolled F holles (instead of the older design "flat cut" type) = post 1933
Chicken feet coverplate (instead of the common drilled areas) = post 1936
Twelve frets neck (instead of 14 latter)= pre 1934
All this allow you to think about a "style 0" model, post 1936, but a very rare one; maybe few are existing.
Some of these twelve frets bodies been fitted with a "chicken feet" cover.
This coverplate adorn most of the 14 frets bodies, but sometimes 14 frets have an old drilled model too, every combination can exist.
A friend of mine got a similar parlor resonator, it's allways surprising how loud such a small box can sound.
These import guitars are noble in the way they can be affordable for most of the young musician.
(it took me a whole life to get me an old National, I wonder how my playing should be enhanced if only I had this luck sooner...and how many youngsters can buy a good old one in the future, with these mad prices?!).
If Son House or Bukka White are living today, I bet they choose one like yours.
Because the small body is more pratical for taking a flag on the next freight train !
I hope this can emmulate your imagination, and increase your interest in resonator instruments; it's a fascinating world, but take care; it can became a consuming passion.