Out on the Western Plains - Cover with Video
Jan 29, 2024 8:37:33 GMT
Michael Messer, bod, and 7 more like this
Post by sbrennan970 on Jan 29, 2024 8:37:33 GMT
Hi all!
I spent some time yesterday recording a cover of 'Out on the Western Plains'. I took a look at the Rory Gallagher version because he uses DADGAD tuning - this is a tuning that is really popular in traditional Irish music, but not so often seen in Blues! I was also unaware of any other songs that use DADGAD on the resonator, so that was an experience!
I wanted to focus on getting a good resonator sound from a blend of a microphone and my K&K biscuit pickup - I don't have an SM57 so I was using a cheap MXL990 perched atop a stack of books (I only have a single mic stand!) - not ideal, but I find that having the mic a little further away from the resonator gives a nice balance with the glassy qualities of the K&K. You might also hear some rattling in the intro - this is because the pickup Velcro is not adhering, so I had it wedged in behind the tailpiece to keep it in place!
I think the MM Lightning is sounding fabulous as usual; I've said it before and I'll say it again, it's one of my favourite instruments, and I'm inspired every time I pick it up!
For the other instruments - the Cajon is mic'd at the back with the MXL990, the mandolin is Mic'd with the vocal mic (SE X1) with a high shelf filter and the Bass is straight into the DI with Waves CLA Bass.
In terms of production- I recently got a good deal on some Waves CLA plugins and Izotope Ozone + Neutron. Other than that and some Ableton stock reverb + delay that's basically all there is to it.
This took the guts of a full afternoon to put together - you can tell the order of recording from the light in the video! To create a 'live in the room feel' I usually record in the following order:
1) Demo guitar+vocal+click
2) cajon
3) bass
4) mandolin
5) vocal guide track (basically a count in for when the drums come in for the intro)
6) mute the original demo guitar track and re-record guitar+vocal using the cajon/bass in place of the click as rhythm
I'd love to hear your thoughts on this - hoping to record some more stuff very soon
Thanks all
Stephen
I spent some time yesterday recording a cover of 'Out on the Western Plains'. I took a look at the Rory Gallagher version because he uses DADGAD tuning - this is a tuning that is really popular in traditional Irish music, but not so often seen in Blues! I was also unaware of any other songs that use DADGAD on the resonator, so that was an experience!
I wanted to focus on getting a good resonator sound from a blend of a microphone and my K&K biscuit pickup - I don't have an SM57 so I was using a cheap MXL990 perched atop a stack of books (I only have a single mic stand!) - not ideal, but I find that having the mic a little further away from the resonator gives a nice balance with the glassy qualities of the K&K. You might also hear some rattling in the intro - this is because the pickup Velcro is not adhering, so I had it wedged in behind the tailpiece to keep it in place!
I think the MM Lightning is sounding fabulous as usual; I've said it before and I'll say it again, it's one of my favourite instruments, and I'm inspired every time I pick it up!
For the other instruments - the Cajon is mic'd at the back with the MXL990, the mandolin is Mic'd with the vocal mic (SE X1) with a high shelf filter and the Bass is straight into the DI with Waves CLA Bass.
In terms of production- I recently got a good deal on some Waves CLA plugins and Izotope Ozone + Neutron. Other than that and some Ableton stock reverb + delay that's basically all there is to it.
This took the guts of a full afternoon to put together - you can tell the order of recording from the light in the video! To create a 'live in the room feel' I usually record in the following order:
1) Demo guitar+vocal+click
2) cajon
3) bass
4) mandolin
5) vocal guide track (basically a count in for when the drums come in for the intro)
6) mute the original demo guitar track and re-record guitar+vocal using the cajon/bass in place of the click as rhythm
I'd love to hear your thoughts on this - hoping to record some more stuff very soon
Thanks all
Stephen