|
Post by Noah Miller on Jul 7, 2020 19:08:29 GMT
Nope, not the steels. Not the Spanish guitars, either. I present two of the most obscure National electric models, the New Yorker Mandolin and Tenor-Banjo:
I picked up the mandolin a couple of years ago, but I just received the banjo yesterday. Both of them play & sound great, but neither is completely original. Both tailpieces snapped, were poorly soldered, and snapped again; the mandolin sports a reissue tailpiece and I have another (more appropriate one) on order for the banjo. The mandolin has had a neck reset and a replacement bridge, and the banjo's tone control is disconnected, but the pickups still work. Both instruments have the same complex internal structure as my Sonora (and, I assume, New Yorker Spanish guitars), complete with posts supporting the top and a banjo-esque method of securing the necks.
Although electric mandolins and tenors never sold in large numbers (either by National or any of their competition), these are actually excellent-sounding instruments that play quite nicely. The tenor's neck is straight as an arrow and the mandolin only has a tiny bit of relief. The adjustable poles are a godsend, since these types of instruments usually have poor string balance when electrified. Both have very good sustain, but not so much that they sound like solidbodies. The tenor, particularly through an overdriven amp, really screams.
|
|
|
Post by Michael Messer on Jul 7, 2020 20:31:37 GMT
Hi Noah,
Those are beautiful. I can't add any more than you have already written.
Could you post the serial numbers please? I know a man that would be very interested to know the numbers.
Thanks for sharing them on here
Shine On Michael.
|
|
|
Post by Noah Miller on Jul 7, 2020 23:04:21 GMT
The mandolin is C5549 and the banjo is C5805.
I forgot to mention that each has a form-fitting hard case covered with the same tweed as the lap steel cases.
|
|
|
Post by leeophonic on Jul 8, 2020 8:12:20 GMT
My Tricone is also from that era, when everything moved to Chicago it was a massive era of transition, electricity was in the air (and in instruments) I wonder if National did the woodwork or was it Harmony or Kay and then assembled back at National.
|
|
|
Post by Noah Miller on Jul 8, 2020 11:01:40 GMT
The bodies were definitely built by Kay, but I'm on the fence about the necks. The heel designs aren't the same as Kay's usual work.
|
|
|
Post by leeophonic on Jul 8, 2020 11:10:32 GMT
I have square neck Duolians and fiddle edge Dobros from 36/37 and the profile and carve is different, maybe it is down to the individual or which factory supplied the parts...
Lee
|
|
|
Post by snakehips on Jul 8, 2020 13:30:07 GMT
Hi there ! Here is the New Yorker I had many moons ago (circa 18yrs ago, I think)
|
|