|
Post by tonydone on Aug 14, 2014 0:57:45 GMT
Hi folks this is my first post and an introduction.
I've been playing guitar for 50-odd years, and slide the past 30-odd. I currently have four resos, a Beltona brass tricone with radical cutawy (seen in my avatar), a 1932 Style O, a 2000-ish Estalita Deluxe and a Republic Miniolian that has been converted to nylon strings for fingerpicking. I also play slide on electrics and a couple of flattops - a cedar topped Maton 225 and a Bourgeois Martin Simpson Sig. My sig includes a couple of links that indicate my musical interests.
Here's the question/comment. I use 13-56 electric strings on my steel strung resos, because I like magnetic pickups, and generally tune to open D/G. This is fine on the tricone and style O, but the 6th string sounds weak and flabby on the Estralita, and the other strings just about ordinary. If I tune up to open E/A in on the Estralita it sounds terrific. I haven't investigated whether it is string tension or resonance frequencies that do this, but I wonder if anyone else has noticed the same thing - that a smallish change in pitch has major effect on tonal quality, in any guitar, and the Estralita or wood-bodied resos in particular?
Another Estralita question. Do all five fretboard extension dots have screws under them? I'm thinking about making the neck angle a bit steeper so I can get the action lower.
EDIT - I also have a kona lapsteel, a Gibson prototype.
|
|
|
Post by thebluesbear( al) on Aug 14, 2014 7:42:57 GMT
Hi Tony Welcome , as you are playing a Maton do i deduce you are in australia you ask a interesting question in my opnion it is stringtension that drives the cone on resonators so in short yes the change in pitch does do that al
|
|
|
Post by tonydone on Aug 14, 2014 8:06:45 GMT
Hi Tony Welcome , as you are playing a Maton do i deduce you are in australia you ask a interesting question in my opnion it is stringtension that drives the cone on resonators so in short yes the change in pitch does do that al Thanks Al. Yes I'm a Brit by birth, but have lived in Oz for almost 40 years. OK, Matons are an acquired taste, but you do get to like that tight overbraced sound, and they are very stable in our dry climate. Plus the warranty and factory repair service is excellent. - Warranties are the importer's responsibility on imported guitars, and they can be very dodgy. The Maton in question is a bit unusual in having cedar top, and its tone therefrom makes it better for unamplified slide than any other Maton I've played. - Lots of oomph in the high registers.
|
|