Post by Michael Messer on Nov 18, 2007 17:16:31 GMT
Hi everyone,
BJ Cole, Ed Genis, Chris Clarke & I would like to thank you all for coming to our concert on Thursday at the Pacific Road Theatre, Birkenhead. It was the debut performance of our slide & steel guitar show called 'That Sliding Sound'. It was a pleasure to play for such an appreciative audience in this fantastic venue. If you haven't been to see a concert at the Pacific Road Arts Centre.....you gotta go!
(If anyone has any photos of the show, we would love to see them)
Shine On,
Michael
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Here are two revues of the concert on Thursday:
Michael Messer with B J Cole: Pacific Road - 15th November 2007.
I saw the Michael Messer Band last year at the Guitar Festival and they played a wonderful set of funky blues based electric music – tonight we heard the other side of this remarkably talented musician. An acoustic evening, very laid back and all done in the company of one of the world’s finest steel guitarists, B J Cole. Michael and BJ started the evening with a long and atmospheric piece certainly with a number of eastern influences, before being joined on stage by an acoustic bass player and the fine rhythmic playing of long time band member Ed Genis. The two set evening show featured the exemplary style on Michael which complimented perfectly the pedal steel and stand guitars of B J Cole. Far from the expected ‘blues’ night the audience was treated with several styles including some vintage Hawaiian pieces` - beautiful. The atmosphere was relaxed and there was some banter between musician and audience, together with some informative background about both songs and instruments.
Certainly Michael Messer is one of the UK’s hidden gems, certainly deserving of greater recognition from outside of the music industry. And what about the mercurial B J Cole? Apart from his many years in the industry, his reputation as one of the greatest pedal steel guitarists around, his whole demeanor is one of warmth and great humility and humour, and a welcome addition to any stage in the world.
Tonight we got more than just the blues we had a world treat of different styles, different musical cultures and exceptional musicianship – see you next year we hope!
Reviewed by Maddie for the International Guitar Festival website - 16.11.07
www.bestguitarfest.com/html/index.asp
---------------------------------------------------------------------------
This review is from BLUES IN THE NORTH WEST website.
MICHAEL MESSER & B.J. COLE - Pacific Road Arts Centre, Birkenhead: 15/11/07
This concert, part of the 19th International Guitar Festival of Great Britain, saw the unique pairing of two of Britain’s finest players - slide guitar master Michael Messer, and the man who has graced hundreds of albums since the seventies, pedal steel maestro B.J. Cole.
In the company of Messer’s long-time rhythm guitarist, Ed Genis, and bass player Chris Clarke, they delivered two enjoyable sets of great diversity - from Hawaiian tunes, to Chicago blues and western swing - with interesting dialogue about the songs and the instrumentation.
Messer and Cole switched instruments to suit the songs, with the most stunningly visual item on display being a beautiful four-neck Fender steel guitar, dating from 1953, which presented less tuning problems than B.J. Cole’s other steel guitar, which caused much hilarity from the crowd!
Highlights of two great sets were the lovely “Jitterbug Waltz” and a Hawaiian tune called “Sweetheart Darling” - both featuring stunning interplay between Messer’s lap slide and Cole’s pedal steel. A standout blues tune saw them perform “Steel Guitar Rag”, which was the first known blues song recorded in 1923 - this was done twice as a slide guitar piece and then on the steel guitar.
Michael Messer switched to electric slide for the Chicago blues of “Blue Letters”, co-written by Terry Clarke. The standard “Cry Me A River” was delivered quite beautifully as a duet from Cole and Ed Genis’s acoustic guitar; with a rip-roaring version of legendary country writer Roy Acuff’s “Steel Guitar Blues” rounding off a most interesting and original evening.
Having not caught Michael Messer with his full band before I will certainly be looking out for them in our area the next time - he is a fine musician with lovely technique and great tone in his playing. To sum up; another gem of a night from the good folk of the International Guitar Festival of Great Britain!
GRAHAME RHODES
www.bluesinthenorthwest.com
BJ Cole, Ed Genis, Chris Clarke & I would like to thank you all for coming to our concert on Thursday at the Pacific Road Theatre, Birkenhead. It was the debut performance of our slide & steel guitar show called 'That Sliding Sound'. It was a pleasure to play for such an appreciative audience in this fantastic venue. If you haven't been to see a concert at the Pacific Road Arts Centre.....you gotta go!
(If anyone has any photos of the show, we would love to see them)
Shine On,
Michael
------------------------------------------------------------------------
Here are two revues of the concert on Thursday:
Michael Messer with B J Cole: Pacific Road - 15th November 2007.
I saw the Michael Messer Band last year at the Guitar Festival and they played a wonderful set of funky blues based electric music – tonight we heard the other side of this remarkably talented musician. An acoustic evening, very laid back and all done in the company of one of the world’s finest steel guitarists, B J Cole. Michael and BJ started the evening with a long and atmospheric piece certainly with a number of eastern influences, before being joined on stage by an acoustic bass player and the fine rhythmic playing of long time band member Ed Genis. The two set evening show featured the exemplary style on Michael which complimented perfectly the pedal steel and stand guitars of B J Cole. Far from the expected ‘blues’ night the audience was treated with several styles including some vintage Hawaiian pieces` - beautiful. The atmosphere was relaxed and there was some banter between musician and audience, together with some informative background about both songs and instruments.
Certainly Michael Messer is one of the UK’s hidden gems, certainly deserving of greater recognition from outside of the music industry. And what about the mercurial B J Cole? Apart from his many years in the industry, his reputation as one of the greatest pedal steel guitarists around, his whole demeanor is one of warmth and great humility and humour, and a welcome addition to any stage in the world.
Tonight we got more than just the blues we had a world treat of different styles, different musical cultures and exceptional musicianship – see you next year we hope!
Reviewed by Maddie for the International Guitar Festival website - 16.11.07
www.bestguitarfest.com/html/index.asp
---------------------------------------------------------------------------
This review is from BLUES IN THE NORTH WEST website.
MICHAEL MESSER & B.J. COLE - Pacific Road Arts Centre, Birkenhead: 15/11/07
This concert, part of the 19th International Guitar Festival of Great Britain, saw the unique pairing of two of Britain’s finest players - slide guitar master Michael Messer, and the man who has graced hundreds of albums since the seventies, pedal steel maestro B.J. Cole.
In the company of Messer’s long-time rhythm guitarist, Ed Genis, and bass player Chris Clarke, they delivered two enjoyable sets of great diversity - from Hawaiian tunes, to Chicago blues and western swing - with interesting dialogue about the songs and the instrumentation.
Messer and Cole switched instruments to suit the songs, with the most stunningly visual item on display being a beautiful four-neck Fender steel guitar, dating from 1953, which presented less tuning problems than B.J. Cole’s other steel guitar, which caused much hilarity from the crowd!
Highlights of two great sets were the lovely “Jitterbug Waltz” and a Hawaiian tune called “Sweetheart Darling” - both featuring stunning interplay between Messer’s lap slide and Cole’s pedal steel. A standout blues tune saw them perform “Steel Guitar Rag”, which was the first known blues song recorded in 1923 - this was done twice as a slide guitar piece and then on the steel guitar.
Michael Messer switched to electric slide for the Chicago blues of “Blue Letters”, co-written by Terry Clarke. The standard “Cry Me A River” was delivered quite beautifully as a duet from Cole and Ed Genis’s acoustic guitar; with a rip-roaring version of legendary country writer Roy Acuff’s “Steel Guitar Blues” rounding off a most interesting and original evening.
Having not caught Michael Messer with his full band before I will certainly be looking out for them in our area the next time - he is a fine musician with lovely technique and great tone in his playing. To sum up; another gem of a night from the good folk of the International Guitar Festival of Great Britain!
GRAHAME RHODES
www.bluesinthenorthwest.com